Into the Blue
ROSEGALLERY invites you to step with us Into the Blue. The uncertainty of this past year has left many with a sense of reset, and the next steps appear unknown; Yet, in the uncharted awaits opportunities for closeness. Into the Blue explores these very pathways, through an exploration of the hues and histories connected with the color blue.
ROSEGALLERY invites you to step with us Into the Blue. The uncertainty of this past year has left many with a sense of reset, and the next steps appear unknown; Yet, in the uncharted awaits opportunities for closeness. Into the Blue explores these very pathways, through an exploration of the hues and histories connected with the color blue.
Blue is more than a color. It hums in the distant horizon. It blankets the atmosphere at dusk. It’s an emotion that affects us all. Indigo, azure, lapis, or navy; each tone of blue evokes its own sea of sensibilities. On the walls of ROSEGALLERY, soft, blue light-leaks surprise John Chiara’s photograph; tension fills the air and the hot blue telephone rings in Tania Franco Klein’s The Waiting; a midnight blue velvet cushions the sitter in Kennedi Carter’s photograph; Manfred Müller obscures found photographs through flowing movements of Prussian blue; Yishai Jusidman’s artist book, Preußischblau, documents the dark remnants of evil: walls stained blue by cyanide-iron compounds; overlapping hues of blue ebb and flow in McCracken’s geometric paintings; the late summer, cerulean skies envelop beachgoers in Gayle Kabaker’s paintings; and Sheila Pinkel creates a three dimensional space within a two dimensional plane through layers of light and varied hues of blue in her vintage, large-scale cyanotypes.
The first synthetically created blue pigment appeared in ancient Egypt, a ground and heated mix of limestone and azurite. Since then, artists have found countless ways to express emotion through the color blue. This grouping of artists presents the ubiquity and variety of the color blue through its many manifestations. Some associations are linked through hues, some through temperament, but together, these works provide a sense of interconnection.
Into The Blue will be on view from 22 May - 14 August 2021. The group exhibition features works by Jo Ann Callis, Kennedi Carter, John Chiara, Yishai Jusidman, Gayle Kabaker, Tania Franco Klein, Steve Galloway, Graciela Iturbide, Manfred Müller, Sheila Pinkel, Maureen Selwood and Megan Cotts, Lieko Shiga, and Aaron Stern.
Prices quoted are for print prices unless otherwise noted.
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Lieko ShigaCandy Castle; from the series Rasen Kaigan, 2013Signed by the artist on label affixed to mount versoC-Print70 x 47.25 inch
27.56 x 18.6 inchesNumber one From a limited edition of three -
John ChiaraBlue Cain road at Kincade road, 2016Signed and dated on versoIlfochrome Paper, Unique Photograph33.5 x 27.5 inches -
Kennedi CarterSweet Lady Val, 2020Signed by the artist in ink on signature label on mountArchival Pigment Print40 x 40 inchesEdition of 3 plus 1 artist's proof (#1/3) -
John ChiaraGreenpark Terrace at Parkgrove Drive, 2013Signed and dated on versoIlfochrome Paper, Unique Photograph33.5 x 22.5 inches -
William EgglestonUntitled, [blue car, From Dust Bells, vol. I], 1970Signed in ink and Eggleston Artistic Trust copyright reproduction limitation on label affixed to mount versoArchival Pigment Print44 x 60 inch
111.76 x 152.4 cmNumber one in a limited edition of two -
Tania Franco KleinMidnight Recipe, 2016Signed by the artist in ink on signature label adhered to mount versoArchival Pigment Print30 x 20 inchesNumber one from a limited edition of six -
Tania Franco KleinThe Waiting, from Our Life in the Shadows, 2016Signed by the artist in ink on signature label adhered to mount versoArchival Pigment Print30 x 20 inch / 76.2 x 50.8 cmNumber three from a limited edition of six -
Jo Ann CallisWoman with Blue Bow, 1977Signed and numbered by the artist on versoArchival Pigment Print24 x 30 inchesNumber 2 from a limited edition of 5 and 2 AP's -
Kennedi Carter(Untitled) Self Portrait, 2019Signed in pencil on print versoArchival Pigment Print24 x 30 inchesEdition of 5 plus 1 artist's proof (#5/5) -
John ChiaraDog bog road at Larson road, 2020Signed and dated on versoIlfochrome Paper, Unique Photograph33.75 x 28 inches -
Jo Ann CallisWoman and Fish, 1985Vintage Cibachrome Print24 x 20.5 inches -
Aaron SternUntitled Triptych, Los Angeles, 2017Archival Pigment Prints24 x 16.5 inches;
15 x 10.5 inches;
19.75 x 13.5 inches.From a limited edition of 3 -
Ken KitanoPalos Verdes, CA from the 'Watching the Moon' works, 2013Signed , captioned and numbered by the artist in ink on versoChromogenic Print [Light jet print]37 x 51.5 inches/ 29 x 43.5 inches
93.98 x 130.81 cmNumber two in a limited edition of five -
Sheila PinkelUntitled, 1976Signed and Dated on versoVintage Cyanotype29.5 x 41 inches -
Sheila PinkelUntitled, 1976Signed and Dated on versoVintage Cyanotype29.5 x 41 inches -
Steve GallowayThe Great Sea, 2008Signed, titled and dated by the artist in pencil on versoOil on cavas48 x 36 inches -
Shaun McCrackenUntitled #687, 2021Signed, titled and dated by the artist in ink on versoEgg tempera on Gessoed Panel10 x 8 inches -
Shaun McCrackenUntitled #688, 2021Signed, titled and dated by the artist in ink on versoOil and acrylic on canvas on board12 x 9 inches -
Shaun McCrackenUntitled #608, 2019-2021Signed, titled and dated by the artist in ink on versoOil and acrylic on linen on panel24 x 18 inches -
Manfred MüllerUntitled from the series Sub Aqua, 2019 - 2020Signed on rectoPigment color print on Cold Press Bright paperSheet: 41 x 29.5 inches / Image: 25 x 20.5 inchesEdition of 7 plus 2 artist's proofs -
Manfred MüllerUntitled from the series Sub Aqua, 2019-2020Signed on rectoPigment color print on Cold Press Bright paper28.5 x 36 in
72.39 x 91.44 cmEdition of 7 plus 2 artist's proofs -
Yishai JusidmanRag#29, 2013-2016Acrylic and oil on cotton mounted on wood19 × 14 inches -
Yishai JusidmanRag#21, 2013-2016Acrylic and oil on cotton mounted on wood18.5 × 15 inches -
Yishai JusidmanRag#11, 2013-2016Acrylic and oil on cotton mounted on wood18.5 × 15 inches -
Elger EsserLe Havre II, Frankreich, 2019Signed and NumberedDry-Ink on Silvered Copper13 x 16 7/8 x 1 5/8 in
33 x 43 x 4 cmEdition 3 of 3 -
Elger EsserAmboise, 2018Directprint, silver-coated copperplate, shellac13 x 17 inchesNumber one in a limited edition of three and one AP -
Maureen SelwoodBlue Poodle Chair, 2021AnimationFrom a limited edition of three -
Megan CottsPoodle on Blue Chair , 2021Tempura on canvas, ceramic21 x 12.5 x 7.5 in

