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Jo Ann Callis: Honey

Past exhibition
June 7 – September 13, 2014
  • Overview
  • Press release
  • Works
  • Installation Views
  • Related Artists
Overview
Jo Ann Callis Untitled, [Black Glove and Black Sand] from Early Color Portfolio, Circa 1976 Archival Pigment Print 16 x 20 inches Number 5 in a limited edition of 10
Jo Ann Callis
Untitled, [Black Glove and Black Sand] from Early Color Portfolio, Circa 1976
Archival Pigment Print
16 x 20 inches
Number 5 in a limited edition of 10

Both Callis’s early black & white and color pictures, taken while studying under Robert Heinecken at UCLA, attest to the artist’s singular and lasting influence on photography through her inventive analysis of the pleasures and terrors of domestic comfort. In her work from the 70s, Callis merges perceived pain and apparent pleasure into a complex, inclusive representation of sensuality and sexual curiosity. Her deft use of opposing textures invites the viewer to lightly graze a sumptuous silk pinned to a grubby wall and tug at the taut string crisscrossing the model’s backside. While many of the photographs depict restraint marks, smeared lipstick, and leather, this work is rooted not in sadism but in tenderness. 

 

Press release

ROSEGALLERY is pleased to announce Honey, the debut exhibition of early black & white and color images from artist Jo Ann Callis.

Both Callis’s early black & white and color pictures, taken while studying under Robert Heinecken at UCLA, attest to the artist’s singular and lasting influence on photography through her inventive analysis of the pleasures and terrors of domestic comfort. In her work from the 70s, Callis merges perceived pain and apparent pleasure into a complex, inclusive representation of sensuality and sexual curiosity. Her deft use of opposing textures invites the viewer to lightly graze a sumptuous silk pinned to a grubby wall and tug at the taut string crisscrossing the model’s backside. While many of the photographs depict restraint marks, smeared lipstick, and leather, this work is rooted not in sadism but in tenderness. 

The subjects in the black & white photographs are often robed in shadows, reflections, masks, and veils, lending a sense of foreboding to their lush settings and nubile bodies. Yet in every image the artist’s presence is palpable and lends a pervading sense of safety to the pre-calculated play. Callis dances just beyond the frame, delighting in the world she has created—a world of fragmented narrative and a childlike sense of continual experimentation. In the forward to Callis’ monograph Other Rooms, Francine Prose writes: 

These pictures are not only about sex but about the limits and edges of photography, its power to get up in our faces. They ask whether it is possible to photograph a thought—whether an image can represent something simultaneously sensual and cerebral. Since the 1960s Callis has been circling around these complex and often opposing emotions in photos that are at once aesthetic and discomfiting, delicate and raw, mysterious and thoughtful.

ROSEGALLERY will debut these works in the form of two recently released portfolios of prints: Early Black and White (1974-1975) and Early Color (1976-1977). Images from both bodies of work are included in Other Rooms, to be released in conjunction with our exhibition.

Works
  • Untitled, [Black Glove and Black Sand] from Early Color Portfolio
    Untitled, [Black Glove and Black Sand] from Early Color Portfolio
  • Untitled, [woman with flashlight], from Early Color Portfolio
    Untitled, [woman with flashlight], from Early Color Portfolio
  • Jo Ann Callis, Untitled [Hand grabbing ankles], From Early Color Portfolio, Circa 1976
    Jo Ann Callis, Untitled [Hand grabbing ankles], From Early Color Portfolio, Circa 1976
  • Untitled, [torso with scars], from Early Color Portfolio
    Untitled, [torso with scars], from Early Color Portfolio
  • Untitled, [Woman with Halter], From Early Color Portfolio
    Untitled, [Woman with Halter], From Early Color Portfolio
  • Untitled [Woman painted nipples], From Early Color Portfolio
    Untitled [Woman painted nipples], From Early Color Portfolio
  • Untitled, [Stockings and tape] from Early Color Portfolio
    Untitled, [Stockings and tape] from Early Color Portfolio
  • Untitled [Woman khaki trousers], From Early Color Portfolio
    Untitled [Woman khaki trousers], From Early Color Portfolio
  • Untitled [Woman with tape on back], From Early Color Portfolio
    Untitled [Woman with tape on back], From Early Color Portfolio
  • Untitled [Woman in shower], From Early Color Portfolio
    Untitled [Woman in shower], From Early Color Portfolio
  • Untitled, [figure under sheets] from the Early Black and White Portfolio
    Untitled, [figure under sheets] from the Early Black and White Portfolio
  • Untitled, [freckles and beets] from the Early Black and White Portfolio
    Untitled, [freckles and beets] from the Early Black and White Portfolio
  • Untitled, [nude under sheet] from the Early Black and White Portfolio
    Untitled, [nude under sheet] from the Early Black and White Portfolio
  • Untitled, [feet] from the Early Black and White Portfolio
    Untitled, [feet] from the Early Black and White Portfolio
  • Untitled, [window] from the Early Black and White Portfolio
    Untitled, [window] from the Early Black and White Portfolio
  • Untitled, [man in window] from the Early Black and White Portfolio
    Untitled, [man in window] from the Early Black and White Portfolio
Installation Views
Open a larger version of the following image in a popup: Callis Install 3
Open a larger version of the following image in a popup: Callis Install 13
Open a larger version of the following image in a popup: Callis Install 11

Related artist

  • Jo Ann Callis

    Jo Ann Callis

Back to Past exhibitions

Bergamot Station Arts Center
2525 Michigan Avenue, B-5B
Santa Monica, CA 90404

+1 310 264 8440

info@rosegallery.net

Tuesday–Friday, 10AM –5PM

Saturday, 10AM–6PM

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