When Hands Touch
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Jo Ann CallisWoman Twirling, 1985Signed and editioned by the artist on versoArchival Pigment Print24 x 30 inchesEdition of five plus 2 APs (#3/5) -
Jo Ann CallisUntitled from Domestic Interiors Series, 1995Archival Pigment Print with Fabric Mat10 x 10 inches
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Jo Ann CallisUntitled from Domestic Interiors Series, 1995Archival Pigment Print with Fabric Mat10 x 10 inches
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Jo Ann CallisUntitled from Domestic Interiors Series, 1995Archival Pigment Print with Fabric Mat10 x 10 inches
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Jo Ann CallisThe Dish Trick, 1985Archival Pigment Print24 x 30 inch(#3/5)
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Jo Ann CallisFour Cakes, 1984Signed in ink on signature label adhered to mount versoArchival Pigment Print24 x 30 inchEdition of 5 plus 2 artist's proofs (#1/5)
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Jo Ann CallisSalt, Pepper, Fire, 1980Signed, titled, editioned and dated by the artist in pencil on versoVintage Dye Transfer Print20 x 24 inchesNumber five in a limited edition of seven
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Jo Ann CallisForbidden Pleasures (XIV), 1994Signed, dated and captioned by the artist in pencil on versoVintage Cibachrome Print11 x 14 inchesFrom a Limited Edition *
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Jo Ann CallisForbidden Pleasures (Lemon with Chocolate Sprinkles), 1993Signed, dated and captioned by the artist in pencil on versoVintage Cibachrome Print11 x 14 inch
27.94 x 35.56 cm -
Jo Ann CallisForbidden Pleasures (Strawberry Chocolate Cake), 1993Signed, dated and captioned by the artist in pencil on versoVintage Cibachrome Print11 x 14 inch
27.94 x 35.56 cmNumber four in a limited edition of thirteen -
Jo Ann CallisForbidden Pleasures (X), 1994Signed, dated and captioned by the artist in pencil on verso mountVintage Cibachrome Print11 x 14 inch
27.94 x 35.56 cmNumber one in a limited edition of twenty -
Jo Ann CallisForbidden Pleasures(VI), 1994Signed, dated and captioned by the artist in pencil on verso mountVintage Cibachrome Print11 x 14 inch
27.94 x 35.56 cmNumber one in a limited edition of twenty -
Jo Ann CallisForbidden Pleasures (XI), 1994Signed, dated and captioned by the artist in pencil on verso mountVintage Cibachrome Print11 x 14 inch
27.94 x 35.56 cmNumber one in a limited edition of twenty -
Jo Ann CallisForbidden Pleasures(XIII), 1994Signed, dated and captioned by the artist in pencil on verso mountVintage cibachrome prints11 x 14 inch
27.94 x 35.56 cmNumber one in a limited edition of twenty -
Jo Ann CallisForbidden Pleasures (I), 1994Signed, dated and captioned by the artist in pencil on verso mountVintage Cibachrome Print11 x 14 inch
27.94 x 35.56 cmNumber one in a limited edition of twenty -
Jo Ann CallisForbidden Pleasures(VII), 1994Signed, dated and captioned by the artist in pencil on verso mountVintage Cibachrome Print11 x 14 inch
27.94 x 35.56 cmNumber one in a limited edition of twenty -
Jo Ann CallisForbidden Pleasures (XV), 1994Signed, dated and captioned by the artist in pencil on verso mountVintage Cibachrome Print11 x 14 inch
27.94 x 35.56 cmNumber one from a limited edition of twenty -
Jo Ann CallisThree Tiers, 1994Signed by the artist on gallery label mount verso
Last print in a limited edition of 6Vintage Cibachrome Print30 x 40 inchesNumber 4 in a limited edition of 6 -
Kennedi CarterHidden Mother 2, 2022Archival Pigment Print30 x 37 inchesEdition of 7 plus 2 artist's proofs (#2/7)Courtesy of Demo GalleryCopyright The Artist
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Kennedi CarterHidden Mother, 2022Archival Pigment Print31 x 40 InchesEdition of 7 plus 2 artist's proofs (#1/7)Courtesy of Demo GalleryCopyright The Artist
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Kennedi CarterKennedi Carter, A Jezebelle Wrapped In Yarn, Left Barefoot and Pregnant, 2022Archival Pigment Print30 x 37.5 Inches(#1/7)Courtesy of Demo GalleryCopyright The Artist
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John ChiaraLexington Avenue at East 39th Street, Variation 2,, 2018Signed and Dated Verso in PencilNegative Chromogenic PhotographImage: Approx. 50" x 40" (127 x 101.5 cm)
Sheet: 42.5" x 53.5" -
John ChiaraMadison Avenue at E82nd Street, 2017Signed and Dated Verso in PencilNegative Chromogenic PhotographImage: Approx. 50" x 40" (127 x 101.5 cm)
Sheet: 42.5" x 53.5" -
John ChiaraLexington Avenue at East 39th Street, Variation 3, 2018Signed and Dated Verso in PencilNegative Chromogenic PhotographImage: Approx. 30" x 40" (127 x 101.5 cm)
Sheet: 43.5" x 32" -
John Chiara5th Avenue at 30th Street, Variation 1,, 2018Signed and Dated Verso in PencilNegative Chromogenic PhotographImage: Approx. 50" x 40" (127 x 101.5 cm)
Sheet: 42.5" x 53.5" -
John ChiaraNew Water Street between Moore and Whitehall, 2018Signed and Dated Verso in PencilNegative Chromogenic PhotographImage: Approx. 50" x 40" (127 x 101.5 cm)
Sheet: 42.5" x 53.5" -
John ChiaraStarr King; Coral; John F. Shelly, 2021Image on Ilfochrome Paper, Unique photograph47 x 37 inches
56 x 45 inches framed -
William EgglestonUntitled, [blue car, From Dust Bells, vol. I], 1970Signed in ink and Eggleston Artistic Trust copyright reproduction limitation on label affixed to mount versoArchival Pigment Print44 x 60 inch
111.76 x 152.4 cmNumber one in a limited edition of two -
Tania Franco KleinProceed To The Route from Proceed To The Route, 2018Signed by the artist in ink on signature label adhered to mount verso
AP1 from a limited edition of fourArchival Pigment Print51 x 41 inch
129.54 x 104.14 cmCourtesy of Demo GalleryCopyright The Artist -
Tania Franco KleinLamp, Face (Self-Portrait), 2021Signed by the artist in ink on signature label adhered to mount versoArchival Pigment Print51.2 x 38.4 inches
130 x 97.5 cmEdition of 7 plus 2 artist's proofs (#1/7) -
Tania Franco KleinRounded Mirror, Window (self-portrait), 2022Signed by the artist in ink on signature label adhered to mount versoArchival Pigment Print66.1 x 49.6 inches
168 x 126 cmEdition of 7 plus 2 artist's proofs (#1/7) -
Shaun McCrackenUntitled #894 , 2024Signed, dated and title on versoMixed media on paper.12 x 9 inchesCourtesy of Demo GalleryCopyright The Artist
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Shaun McCrackenUntitled Circle, 2023Tempera on Gesso BoardCourtesy of Demo GalleryCopyright The Artist
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Shaun McCrackenUntitled #689 , 2021-2023Signed dated and titled on VersoEgg Tempera on Gessoed Panel20 x 16 inchesCourtesy of Demo GalleryCopyright The Artist
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Shaun McCrackenUntitled #872, 2016 - 24Signed, dated, and title on versoMixed Media on Paper12 x 9 inchesCourtesy of Demo GalleryCopyright The Artist
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Shaun McCrackenUntitled #871, 2016 - 24Signed, dated, and title on versoMixed Media on Paper12 x 9 inchesCourtesy of Demo GalleryCopyright The Artist
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Shaun McCrackenUntitled #870, 2016 - 24Signed Dated and titled on versoMixed Media on Paper12 x 9 inchesCourtesy of Demo GalleryCopyright The Artist
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Shaun McCrackenUntitled #869, 2016 - 24Signed, dates, and titled on versoMixed Media on Paper12 x 9 inchesCourtesy of Demo GalleryCopyright The Artist
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Shaun McCrackenUntitled #466, 2012-2018Signed by the artist in pencil on versoWatercolour and gouache on paper4.5 x 6 inch
11.43 x 15.24 cm -
Shaun McCrackenUntitled #452, 2018Signed by the artist in pencil on versoWatercolour and gouache on paper4.5 x 6 inch
11.43 x 15.24 cm -
Shaun McCrackenUntitled #468, 2008-2018Signed by the artist in pencil on versoWatercolour and gouache on paper4.5 x 6 inch
11.43 x 15.24 cm -
Manfred MüllerWhite Prelude, 2024Painted paper sculpture47 x 31 x 5 inches [framed]Courtesy of Demo GalleryCopyright The Artist
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Manfred MüllerWhite Prelude, 2024Paper SculptureCourtesy of Demo GalleryCopyright The Artist
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Manfred MüllerTwilight and Yearning Conceptual Drawing, 1996Signed and dated on print versoCarbon paper and silver gelatin prints, Collaged on 120 Gram water color paper, UniqueWork: 21.5 x 33 1/4 inches
Framed: 31 3/4 x 44 inches -
Manfred MüllerBlue Prelude #7, 2021Oil paint on Felt paper35 x 25 x 4.5 inches [framed]Courtesy of ROSEGALLERYCopyright The Artist
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Manfred MüllerWhite Prelude #680, 2016Signed by the artist in pencil on rectoOil Color on Fabriano Paper23.5 x 14 x 4 inches/FRAME 33 x 25 inches
59.69 x 35.56 x 10.16 cm -
Asako NarahashiMomochi, from the series half awake and half asleep in the water, 2003Signed by the artist on label adhered to mount versoChromogenic Print35.5 x 53.25 inch
90.17 x 135.26 cmNumber four in a limited edition of eight -
Penelope UmbricoUntitled Installation [Range], 2024UniqueArchival Pigment Print80 x 35Courtesy of Demo GalleryCopyright The Artist
![William Eggleston, Untitled, [blue car, From Dust Bells, vol. I], 1970](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/rosegallery/images/view/81a78c1d711d55c0103af2cf982ac4cfj/rosegallery-william-eggleston-untitled-blue-car-from-dust-bells-vol.-i-1970.jpg)
![Penelope Umbrico, Untitled Installation [Range], 2024](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/rosegallery/images/view/b74eb18f7168e0fb75415314db57db72j/rosegallery-penelope-umbrico-untitled-installation-range-2024.jpg)
ROSEGALLERY is pleased to present When Hands Touch, a group exhibition featuring the works of Kennedi Carter, Jo Ann Callis, John Chiara, and Tania Franco Klein. When Hands Touch is a photographic exploration of the complexities and tensions woven into today’s societal landscape. Each photograph offers a raw, visual commentary on societal frustrations, inviting viewers to confront and reflect on the challenges that define our era.
Kennedi Carter’s photographs celebrate the beauty and complexity of Black life, blending portraiture with storytelling to highlight resilience, identity, and cultural heritage. Her work brings depth and elegance to everyday moments, challenging conventional narratives with vibrant, intimate images.
Jo Ann Callis’s photography combines surreal elements with scenes of everyday life, exploring themes of intimacy, desire, and the uncanny. Her staged compositions and rich textures reveal hidden tensions within the familiar, creating images that are both evocative and subtly unsettling.
The work of John Chiara captures landscapes with a painterly, ethereal quality using custom-built cameras and experimental techniques. His images, marked by unique textures and color shifts, emphasize the physical process of photography and evoke a strong sense of place and time. The vibrancy and unnatural colors present in the photographs pose as a foreboding omen of what it is to come.
Tania Franco Klein’s images explores themes of isolation, desire, and modern disillusionment, often portraying figures in cinematic, surreal settings. Her work combines rich colors and dramatic lighting to evoke feelings of nostalgia and existential longing, capturing the tension and introspection of contemporary life. Each image invites viewers into a world that feels both timeless and unsettlingly relevant.
Along with these artists is a special installation of Penelope Umbrico's Range series.
In all, When Hands Touch offers a poignant, visual reflection on our times, challenging us to confront the ways in which our hands shape, resist, and respond to an era of profound uncertainty.