Wilson has chosen to revisit the tradition armed with both his deep knowledge of history and his love of photography with its new technical capabilities. His resulting images are large, impressive and lush with detail.  Some are inspired by traditional European renderings of biblical stories and classical mythology, others by political events or social movements. In one case, a song provides the spark. Apart from the formidable Last Supper triptych, the subjects are represented in the costume and context of our time. Wilson skillfully depicts each retelling with parallels from the present day. To wit, his portrayal of Alan Henning, the English cab driver who was executed by ISIS in 2014, is modeled after Caravaggio’s The Calling of St. Matthew. In dramatic chiaroscuro, the scene presents the doomed Henning, bathed in beautiful light, as he hears the plight of two Syrian refugees who will inspire him to leave his family and his job to join humanitarian relief efforts only to be executed. The depiction is gorgeous and made even more poignant by the knowledge of its story. This Exhibition presents eleven tableau vivant, each created in reference to the past, living in the present.