Graciela Iturbide

ROSEGALLERY is pleased to present de terra , a group exhibition curated by Jaushua Rombaoa. de terra showcases instances of humanity’s mark on the natural world through the photographs of...

ROSEGALLERY is pleased to present Del Cielo , a collection of photographs by Graciela Iturbide, Masahisa Fukase, Jo Ann Callis, Rinko Kawauchi, and James Gallagher. Artists and poets have drawn...

'All This Happened: Twenty Nine Years of ROSEGALLERY' will be on view from 14 September - 30 October 2021. The group exhibition features works by Jo Ann Callis, Kennedi Carter, John Chiara, Lieko Shiga, Dorothea Lange, William Eggleston, Rinko Kawauchi, Lise Sarfati, Robbert Flick, Tania Franco Klein, Steve Galloway, Graciela Iturbide, Shaun McCracken, Manfred Müller, Elger Esser, Huger Foote, Bruce Davidson, Tomoko Sawada, Megan Cotts, Shaun McCracken, Diana Markosian, and more.

ROSEGALLERY is delighted to present Hay Tiempo, an exhibition of photographs by Graciela Iturbide. The exhibition opens the 23rd of February and will be on view until the 20th of April, 2019. Hay Tiempo is in on view alongside the landmark exhibition 'Graciela Iturbide: Mexico’ at the Museum of Fine Arts, Boston.

ROSEGALLERY presents PhotoGRAPHIC, an exhibition of the recently released graphic novel PhotoGRAPHIC: The Life of Graciela Iturbide, published by the J. Paul Getty. Accompanying works by the legendary photographer, ROSEGALLERY will present the novel in its entirety, with original drawings by Zeke Peña and prose by Isabel Quintero. Photographs, illustrations and prose come together to illuminate the artistic power of Iturbide’s life and work.

Amongst the pictures chosen for asor one won’t find Iturbide’s iconic images of the Zapotec people or photographs of the ritual goat slaughter by the Mixtec in Oaxaca that brought...

A photographer for whom the human subject is often at the crux of her own self-discovery, Graciela Iturbide has recently relinquished her usual preoccupation with the indigenous people of her country in order to confront the solitary natural environment

The birds are Graciela's birds and the territory they describe are a microcosm of the topology she has long-since hewn with her distinguishing eye.